Best Picture...or not
Summer is generally when studios release their big
blockbusters. Fall, all the way into December, studios began slowly trickling
out “award movies,” the kind of movies that feature either great directing,
great acting, a great script, or some combination of all those things. “The
English Patient” was released in November. “Dances with Wolves” was released in
November, too. “The King’s Speech” and “Chicago” got rolled out in December.
All of those films ultimately went on to win Best Picture and, as it turns out,
none of those films deserved it.
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